WATER RITES (2021) Installation view, ACE Open. Photo by Grant Hancock

Henry Jock Walker Seaford Proem (Let’s get metaphysical) (2021) single channel video, black and white 11 minutes, installation view, ACE Open. Photo by Grant Hancock

Libby Harward, NANGUL DABIL BUNGU (2021) PVC pipe, wood, perspex, sea salt, sweat, heat lamp, mangrove mud and ochre collected from Yartapuulti (place of sleep) on Kaurna country, with Uncle Mickey Kumatpi O’Brien dimensions variable, installation view, ACE Open. Photo by Grant Hancock

Archie Moore, Lake Massacre (2021) digital animation, TV monitors, rippled polycarbonate, metal stands dimensions variable, installation view, ACE Open. Photo by Thomas McCammon

Archie Moore, Lake Massacre (2021) digital animation, TV monitors, rippled polycarbonate, metal stands dimensions variable, (detail) , installation view, ACE Open. Photo by Grant Hancock

WATER WORDS: Galinyala Barngarla Artist Exchange, Vinyl text designed by Zenobia Ahmed and Dennis Grauel (2021), ACE Open. Photo by Grant Hancock

Mandy Quadrio, Anchored, (2021) steel wool, Durvillaea potatorum (bull kelp), wooden spear dimensions variable, installation view, ACE Open. Photo by Grant Hancock

24 September – 20 November 2021

Water as culture, concept and commodity

Guest Curator:

Danni Zuvela

Lead Artists::
Libby Harward, Archie Moore, Mandy Quadrio
Barngarla Artists:
Jenna Richards, Vera Richards, Evelyn Richards;  Candace Swan-Taylor, Caitlin Swan-Taylor
Screen Artists:
Tamara Baillie, Sissel M. Bergh, Denise Ferreira da Silva and Arjuna Neuman, Libby Harward, Sky Hopinka, inhabitants/Margarida Mendes, Natasha Naveau, Tabita Rezaire, Su Yu-Hsin, Henry Jock Walker
Sound Program:
Betty Apple, Costa Stefanou
Fermentation:
Lucien Alperstein
Kurangk Listening Public Program:
Brad Darkson, Chloe Darkson, Chris de Rosa, Sandra Saunders, Major ‘Uncle Moogy’ Sumner
Language advisor:
Ghil’ad Zuckermann
Cultural advisor:

Uncle Michael ‘Mickey’ O’Brien

Access:

For access needs please contact us at: grace@aceopen.art

Access:
  • Wheelchair Access
  • Auslan

Water is the common element connecting and sustaining all living beings: we are all made of water. As sweat, tears and the ocean, saltwater indexes pleasure and pain, effort, escape and exaltation. Seemingly ubiquitous, but also increasingly scarce, fresh water is at the centre of a growing virtual marketplace of speculative futures, and is now the world’s most valuable commodity. There is a lot of weight on water.

In the Western conception, under what distinguished Indigenous professor and activist Aileen Moreton-Robinson calls ‘the possessive logic of white occupation’, all existence is read from a European, colonial viewpoint, which in turn positions humans at the top of the hierarchy of being.

What if, instead of being understood as an object (i.e. a commodity or a resource), water becomes a subject (a thing in its own right, a non-human actor, a vibrant force with agency)?

WATER RITES explores the ways water performs, works, manifests and asserts itself in human and other worlds through artworks, knowledge production and embodied acts.

Featuring sculptural assemblage, moving image, sound and fermentation, the exhibition is the result of a research-based, multi-part project engaging with environments and communities of coastal significance in South Australia. It commenced with an artist exchange in Galinyala (Port Lincoln) and will conclude with a public program of foraging and kayaking in the Kurangk (the Coorong).

Please be advised that parts of this exhibition contain very strong themes and language.

We encourage you to speak to an ACE Open staff member if you have any questions.

 

WATER RITES is presented as part of Tarnanthi: Festival of Contemporary Aboriginal & Torres Strait Islander Art.

This project is supported by SA Water, Arts South Australia and the Australian Government through the Australia Council, its arts funding and advisory body.